Get all 145 Steinklang Industries releases available on Bandcamp and save 80%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of VA - Steinklang Industries VI (2019-2023), MAURIZIO BIANCHI - GENI-Z (2023), GOVERNMENT ALPHA - Mind-Altering Substance (2023), DARK AWAKE - Abaris Hyperboreios (2023), DIVISION S - Something to Fuc* and Lose (2023), MOURN - Mastema (2022), GRIM - Magnolia's Dream (2022), Adriano Vincenti & Paolo Bandera - OSSIDO DI CROMO (Anamnesi Mediatica Ricostruttiva) (2022), and 137 more.
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Truth Serum
01:08
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Shriek Of Pain
08:24
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Skum-Teck II (At 20000V)
06:49
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Atomic Test
05:52
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Memories
07:20
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Nuclear Winter
06:12
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Rotten Sarkoma
09:35
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Solitary Confinement
08:48
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Mad Scientist
06:12
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Steinklang Industries
Austrian label of industrial, ambient, neofolk and related genres music since 1992...
If you like [SK-IN15] SCRELOMA - Rotten Sarkoma (2008), you may also like:
supported by 8 fans who also own “[SK-IN15] SCRELOMA - Rotten Sarkoma (2008)”
This will make those with the hardest of constitutions WEEP! Tony Wakeford is a master of neofolk. This album is a must have for all fans of the genre!
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supported by 7 fans who also own “[SK-IN15] SCRELOMA - Rotten Sarkoma (2008)”
If this indeed turns out to be the last Sol Invictus album, it will be a very rare case of a great, long lasting band ending on their very highest note. A masterpiece.
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Fanatisch Eiskalt Maschine
by LINIJA MASS
supported by 7 fans who also own “[SK-IN15] SCRELOMA - Rotten Sarkoma (2008)”
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"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
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Adaptive Emotional Use
by Death Kneel
The Total Black label have done it again, with this grim and punishing noise outing from Death Kneel.
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The brilliant Oil Thief returns with seven new songs of rhythmic, punishing, quasi-industrial electronics.
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supported by 7 fans who also own “[SK-IN15] SCRELOMA - Rotten Sarkoma (2008)”
Akitsa has been among my top tier for a decade, and this is probably their most consistent album. Their experimental period seems to be over and they've definitely settled on an overall sound here, not too far from early Burzum. It's great, although I do miss the unhinged, hateful vibe of their earlier stuff.
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